I’m only recapping the Korean version because one viewing was enough for me.
ETA: Since apparently you assholes are angrier that I neglected to realize this is supposed to be the most poorly-executed vampire concept since Twilight than you are over anything else in this MV, I’ma get this shit over with: I don’t care. A theoretical vampire concept does not negate the criticism of this MV any more than Twilight being a vampire series does not negate the criticism of Edward and Bella’s relationship. Edward doesn’t stalk Bella because he’s a vampire, he stalks her because he’s a creep. I mean, I could’ve made the same boring Twilight jokes people have been making since 2005, but I went with 50 Shades of Grey as it is less old meme and, being a Twilight fanfic, has preserved the most problematic aspects of the Edward/Bella romance, which is the whole issue with this MV and song to start with. Oh, and by the way–none of those elements have anything to do with vampirism. I would think that the ability of an all-human AU like 50SoG to preserve those elements would make that clear, but that’s clearly too much critical thinking to expect out of stans. So you can keep making excuses or you can shut the fuck up, but if you’re going to do the former, do it somewhere other than my blog.
So now that that bullshit is out of the way, let’s talk about why this MV is getting backlash from iFans. The romanticizing of violence against women is a disturbing trend in K-pop music videos, and it’s in stark relief here. I’m kind of pissed U-KISS delivered this shit after being gone over a year, because kissmes, all 3 or so of us, have been starved for material to mock/bop/fap to, as there isn’t much else out there for us now that the few boy groups still doing this sort of sound and aesthetic are either done and dusted or making shitty ass music like the rest of these neon clown puke assholes. So now I gotta make with the cognitive dissonance and acknowledge that “Stalker” is a ~*problematic fave*~, because as long as you overlook the lyrics and concept, it’s a bop. Musically and aesthetically, U-KISS are back and in fine form.
ETA: This post was written before the release of the “Sting” music video, but having viewed the video, my impressions here remain largely unchanged.
Few K-pop groups—particularly rookie groups—have received as polarized of a fandom reaction as Stellar. The group has courted scandal since “Marionette,” which featured “click to reveal more” teasers and a music video with a sexy concept exaggerated almost to the point of farce. Many ifans saw it as a company’s desperate bid for attention for their sinking group, and if it was, it worked. The video gained 2 million views in a week, and the group received more media coverage than they ever had. Their company, Entertainment Pascal, tried riding the wave of controversy by framing Stellar’s next comeback, the comparatively tame “Fool,” as a clapback to the slut-shaming they endured from fans over “Marionette.” “Fool” tanked, and with “Vibrato” and now “Sting” (previously reported as “Stabbed”; make of that what you will) it seems the company is back to their old tricks.
Well, if the goal of Stellar’s company was to get people talking, they succeeded.
Stellar remain best known for their attention-seeking “Marionette” video, which sparked controversy after featuring cliché sexy imagery and choreography dialed up to the point of farce and played completely straight. The members have expressed discomfort with the concept, but when their follow-up single “Fool”—a clap back at critics of “Marionette”—failed to garner the same level of attention, their company was back to their old tricks. “Vibrato” takes their “Marionette” concept a step further by hinting at self-awareness (and by “hinting” I mean “throwing sexual imagery at viewers with all the subtlety of a Mack truck”) and then ultimately playing the same farcical “sexy” tropes completely straight. Continue reading “Stellar tries it with “Vibrato,” fails”
2014 was quite the roller coaster year in K-pop. Here, I present Ahjummas Anon’s year in review.
You may wonder why some popular or chart-dominating songs are curiously absent from my top picks. The only reason I can give is that my choices are completely and 100% subjective, based purely on my own opinions. Does that make this post biased? Hell yeah, it does. I’m not even trying to front like it isn’t. I am not claiming to represent anyone else’s opinions but my own. I did solicit suggestions from friends and twitter followers, but all of my commentary is my own honest opinion. Obviously, as with any opinion piece, you’re welcome to disagree, but popularity or chart position was never a factor in any of my picks. If it’s a popularity contest you seek, I suggest fan-voted year-end lists instead.
I am linking, not embedding youtube videos since the embeds will significantly slow the loading of this page.
VIXX have done it again. I thought they might’ve peaked with “Hyde,” but they’re back with “Voodoo Doll” and despite its awkward title, it is fucking awesome. Continue reading “Review: VIXX: “Voodoo Doll” or “Torture Porn””
B1A4, we were all rooting for you.